Recent highlights

Premiere of 'Mass for All Saints' - photo: Ed Inglod

So much has happened since I last took time to post here on my blog, which is not surprising since I haven’t done so since August! I marvel at people who have the time, creativity and worthwhile opinion to blog on a daily basis. That’s just not for me. But as best I can tell, life on planet earth seems to move along well with or without my blog so I won’t worry about it.

Things at SDG are seriously picking up momentum. Directing the organization has always been an engaging job, but especially so over the last year, and in the last few months the organization has crested a new energy level. Our board is especially fired up and engaged. Last month we had two day-long board meetings, the first of which focused exclusively on strategic planning for the future. Meetings like these always involve a lot of work in preparation but I really enjoy them (not sure the rest of the staff feels the same way!)

I consider composer/musicologist Peter Bannister’s appointment to the position of Associate Artistic Director a huge boost to our efforts. I actually teared up during our fall board meeting in voicing my respect and appreciation for Peter. He is a world-class composer of profound spiritual vision, and what he is doing for SDG by forging connections with composers, conductors and institutions is tremendously valuable.

Composer Jacob Bancks at the premiere of 'Mass for All Saints' - photo: Ed Ingold By this time tomorrow we will have celebrated two premieres in the last two months, both in the Chicago area. I’m overdue in reporting on the premiere of Jacob Bancks’ choral/orchestral Mass for All Saints, which was presented by the Millennium Chamber Players at St. John Berchmans Church on September 20. More news to follow soon on that project. I continue to be impressed Jacob Bancks. And I’m not the only one. The response of the audience in Chicago was telling. New music, even very well-written new music, isn’t always received so enthusiastically. Clearly, the composer connected with his audience. I’ve included here a few photos from the event (more here). I hope to be able to post audio clips from Mass for All Saints soon.

The move in process. A huge mess. Then there’s the re-location of our office, a minor detail, in some respects, in the evolution of SDG, but significant none the less. After nearly 15 years of operating out of a house in a beautiful, wooded neighborhood in West Chicago we’ve moved into an office building in Glen Ellyn and are already enjoying the convenience and ambience of the new location. Here’s the address:

Soli Deo Gloria, Inc.
800 Roosevelt Road A 100
Glen Ellyn, IL 60137

We’ll host an open house sometime early next year. I look forward to having friends stop by and visit once we’ve gotten all the boxes unpacked, furniture in place and pictures on the walls. It’s been a major undertaking and made items of regular business more difficult to keep up with, but I’ve no doubt that it’s a step in the right direction for us.

Tonight I’ll take in the world premiere of a new choral work by composer Daniel Kellogg commissioned by SDG. Preserve Me, O God is the first in a series of short choral pieces we’re commissioning from leading composers based on the Psalms. I highly recommend Peter Bannister’s written intro to the Psalms Project, which you can download by clicking here. I’ve included below a bit of conversation on the project from a radio interview with Peter earlier this year.

SDG Associate Artistic Director Peter Bannister
comments on the Psalms Project:

Audio courtesy of Greg Wheatley and Prime Time America, Moody Radio.

I’m looking forward to visiting Lisbon next February for the DVD filming and live Internet broadcast of Beethoven’s Missa Solemnis. See http://sdgmusic.org/news/?p=203 and www.SDGmusic.org/Lisbon It promises to be a highlight. I enjoyed Minnesota Public Radio’s segment on the Missa Solemnis with the late American musicologist Michael Steinberg, which I’ve included here as well.