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2012 Chicago Bach Project Tickets Now on Sale

John NELSON, conductor
Nicholas PHAN, Evangelist
Stephen MORSCHECK, Jesus
Lucy CROWE, soprano
Meredith ARWADY, contralto
Marc MOLOMOT, tenor
Matthew BROOK, bass
CHICAGO BACH Choir and Orchestra
Donald NALLY, chorus master
Wednesday, April 4, 2012
8:00 p.m.
Saint Vincent de Paul Church
1010 W. Webster Avenue, Chicago
John Nelson conducting the Chicago Bach Choir and Orchestra
(Photo: Anthony Caldaroni)
After the amazing 2011 launch of the Chicago Bach Project, Soli Deo Gloria is proud to continue the tradition at St. Vincent de Paul Church with the performance of Bach's St. John Passion on the Wednesday before Easter, April 4, 2012.
“It is our hope that this annual concert, presenting a different work from the great Bach trilogy each year, will become a Chicago tradition that enriches Holy Week observances for many. These three works by Bach—the St. Matthew Passion, the St. John Passion, and the Mass in B Minor—are the pinnacle of Western sacred music. All were signed by Bach himself with ‘S.D.G.’ (‘To God alone be the Glory’), the very reason Soli Deo Gloria exists.”—John Nelson, Artistic Director
In the weeks after the sounds of last year's performance of Bach's St. Matthew Passion faded, we were flooded with feedback from audience members and musicians:

“A musical and spiritual experience I will never forget.”
“A smashing success.”
“A palpable testimony for the power of expertly and passionately performed sacred music.”
“Glorious.”
“Stirred our souls and lifted our hearts!”
“Sublime.”
“An amazing experience.”
“Just stunning.”
"A spectacular concert—deeply moving and meaningful, brilliantly conducted and performed.”
“Amazing. Thank you!”
“I look forward to the future performances.”
“I was blown away.”
We were also delighted to hear, in a city like Chicago where there is no lack of great music, raves from the critics:
Chicago Bach Orchestra
(Photo: Charles Osgood)
“One of the highlights of the current music season.” —Lawrence A. Johnson, Chicago Classical Review
“[Nelson’s] firm coordination of the choral and instrumental forces was matched by a deep and sensitive understanding of what gives this music its unique spiritual resonance and urgent dramatic power.” —John von Rhein, Chicago Tribune
“A formidable artistic success and a moving experience for Holy Week. The Chicago Bach Project enjoyed a healthy birth, to say the least. Mark your calendars now for next year’s St. John Passion!” —Mark Ketterson, ConcertoNet.com
“The Chicago Bach Project promises Bach’s St. John Passion for April 4, 2012. Mark your calendars.” —John von Rhein, Chicago Tribune
“The Chicago Bach Project promises to be a highlight of the city’s musical landscape for years to come.” —Myron Silberstein, Clef Notes: Chicagoland Journal for the Arts

Given the response to last year's launch of the Chicago Bach Project,
we fully expect tickets to go quickly.
We suggest buying your tickets early to ensure a seat.
Tickets are available online from our ticket service, Brown Paper Tickets,
or by calling their 24/7 Ticket Hotline, 1-800-838-3006.
TICKETS: $40, $50, $75

The Chicago Bach Project is made possible in part through support from Fellowes, Inc., Martin Avenue Pharmacy and Tassos.

PRESENTED BY

The Story Behind the Chicago Bach Project
John Nelson
Photo: David Zaugh
A Word from Conductor John Nelson
I’m often asked, “What is your ‘Island’ piece?” When it comes to a single work, my hands-down choice is Bach’s St. Matthew Passion. It tells the greatest story ever told with unequaled perception and dramatic power. It is the most moving of all sacred works. It is utter perfection from beginning to end.
My first experience with the work was in my third year of college when my favorite and hugely influential choral conductor, Rolf Espeseth, chose to conclude his tenure with a performance of the St. Matthew and privileged me by letting me conduct all the chorales. Suddenly the composer. who had been for me methodical and complicated, became the composer of a world of images that mesmerized me and moved me to the depths. Bach became central to my studies at the Juilliard School in New York where, as a student, I conducted a number of his cantatas, sang in the B Minor Mass and directed a community chorus, the Pro Arte Chorale, which in due course performed the St. Matthew at Lincoln Center. I shall never forget the first time I conducted the opening bars in rehearsal, with the throbbing bass line under the wailing voices pleading, “Come, ye daughters, help me lament.” That this sublime music was actually coming out of my hands reduced me to a puddle of tears in front of my musicians.
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For a taste of John Nelson conducting Bach, enjoy this clip from our critically acclaimed DVD of Bach's Mass in B Minorr at Notre Dame Cathedral in Paris.





