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Daniel Kellogg
O Greening Branch

A celebratory work for chorus and concert band inspired by the poetry of Hildegard von Bingen. Commissioned for the 150th anniversary of Wheaton College (Illinois). “Daniel Kellogg is a gifted and appealing craftsman among the younger U.S. composers” (Chicago Tribune). Duration: 10 minutes.


World Premiere
November 2010

Wheaton College Concert Choir
Wheaton College Women's Chorale
Wheaton College Men's Glee Club
Wheaton College Symphonic Band
John Nelson, conductor
Wheaton College
Wheaton, IL

Daniel Kellogg listening to a rehearsal of O Greening Branch

Commissioned for the 150th anniversary of Wheaton Coillege by the College and Soli Deo Gloria, O Greening Branch is a fittingly rousing work, filled with fanfare and joyous celebration. The text is based on the poetry of Hildegard von Bingen, along with a few verses from the Psalms. Hildegard of Bingen was a medieval Christian mystic who lived a monastic life. Her profound faith led to an outpouring of creativity in poetry, letters, liturgical songs, and the earliest surviving morality play. Her songs and poems are a timeless expression of her faith and continue to speak with fresh beauty centuries later. The text for O Greening Branch draws from several of Hildegard's poems calling people to worship Christ as the "light of the first dawn."

"It is particularly exciting to me to bring an ancient text into a modern context. For me, the poetry of Hildegard of Bingen is profoundly beautiful. It’s filled with praise; it’s glorifying God. I love that this ancient voice can speak into our sense of praise right now.  I love the idea of being able to take a text and shape the music to offer a grand statement that I could never make as a single person but only through combining all these forces and inviting all these people to come together to make a piece of music. For me, it has a sense of worship and reverence and celebration.”

—Daniel Kellogg
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Hildegard of Bingen,
sculpture at Abbey Church
of St. Hildegard,
Rudesheim am Rhein, Germany

From the opening chorus, "Come, enter into the palace of the King," the work builds in drama and intensity, as the text moves from "Praise the Lord in the heavens ... praise him, you shining stars," to:

"O greening branch,
standing in your nobility
you go forth like the dawn:
now rejoice and be glad
and deign to free us,
from our evil ways.
And stretch forth your hand
To raise us up.

O Word of the Father,
crafting all in divine power,
are light of the first dawn
in the orbit of the spheres.

O presience of God,
you foresaw all your works
as you deemed them to be;

O power of eternity
who ordered all things in your heart,
through you, O Word, all things are created.

You, O Word, clothed yourself in flesh
drawn from Adam's race
and cleansed the fleshly garments
from all their stains.

O glittering light of the stars,
O most splendid one,
O unique beauty of royal wedding,
O shining gem:
You are adorned, O high personage
Without spot or blemish.
Come, enter into the palace of the King

O greening branch!"

This new translation of Hildegard's poetry was created by Yale Divinity School Lecturer Junius Johnson. Hildegard loved the color green and used the term viriditas, meaning "fecundity" or "greening," extensively in her writing to express her understanding of Divine power on Earth. She saw "greening power" in all of life, in God's actions moving over the earth, causing all things to flourish.

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John Nelson rehearsing
with the Wheaton College musicians

The world premiere of O Greening Branch was paired with a performance of Brahms' Ein Deutsches Requiem, with John Nelson conducting the combined musical forces of the Wheaton College Concert Choir, Women's Chorale, Men's Glee Club, and Symphony Orchestra, along with the Apollo Chorus of Chicago and the Northern Illinois University Concert Choir. Here's a sampling of what people had to say about the gala performance:

"A fantastic evening . . . I have never heard the Requiem sung with such understanding, beauty and depth!"

"Saturday’s presentation was fabulous!"

"The concert was outstanding. The Brahms Requiem was spectacular, and the SDG commission for O Greening Branch was likewise excellent."

LISTEN

Excerpt from the world premiere of
O Greening Branch
by Daniel Kellogg

Composer's Bio

“Daniel Kellogg … is one of the most exciting composers around – technically assured, fascinated by unusual sonic textures, unfailingly easy to listen to, yet far from simplistic.”
—The Washington Post

Daniel Kellogg’s rise as a composer began after he was chosen as Young Concert Artists Composer-in-Residence in 2002. He has had premieres with the Philadelphia Orchestra, the National Symphony Orchestra, the San Diego Symphony, the Colorado Symphony Orchestra, Ensemble Orchestral de Paris, the Takács Quartet with the University of Colorado Wind Symphony, and the Aspen Chamber Orchestra; and upcoming premieres with the South Dakota Symphony, the United States Air Force Academy Band, the Takács Quartet, and the choirs of Yale University. 

Dr. Kellogg is Assistant Professor of Composition at the University of Colorado, and his honors include a Charles Ives Fellowship from the American Academy of Arts and Letters, a Charles Ives Scholarship from the American Academy of Arts and Letters, six ASCAP Young Composer Awards, the BMI William Schuman Prize, and the ASCAP Rudolf Nissim Award. His works have been performed at Carnegie’s Weill Recital Hall, the Kimmel Center, Lincoln Center, the Kennedy Center, China’s National Centre for the Performing Arts, and broadcast on NPR’s “Performance Today” and “St. Paul Sundays” among others.

A graduate of the Curtis Institute of Music, Dr. Kellogg earned a Masters of Music and a Doctor of Musical Arts from the Yale School of Music. His teachers include Don Freund, Ned Rorem, Jennifer Higdon, Joseph Schwantner, Ezra Laderman, and Martin Bresnick. He has served as composer-in-residence for the South Dakota Symphony, Young Concert Artists, the Green Bay Symphony, and the University of Connecticut. The Washington Post counted his CD Beginnings, recorded by eighthblackbird, among the top five classical discs of 2004. He resides in Colorado with his wife, concert pianist Hsing-ay Hsu, and daughter Kaela. He has served on the faculty of Colorado University since 2005.

Other SDG-Commissions from Daniel Kellogg

From Everlasting to Everlasting
A cycle of Psalms for mezzo-soprano and orchestra, consisting of four pieces based on Psalms 57 (A call to God to be merciful), Psalm 29 (A joyful declaration of praise), Psalm 130 (A penitential confession) and Psalm 103 (A song of contemplative praise). Duration: 17 minutes.

Preserve Me, O God
Choral work based on Psalm 16. The first commission in SDG’s Psalm Project, a series of choral works based on Psalm texts. Commissioned in honor of Dr. Howard Matson, who clung to the words of Psalm 16 as he battled a life-threatening lung disease. Duration: 6 minutes.

The Fiery Furnace
An oratorio for bass and tenor soloists, chorus and orchestra, highlighting the dramatic story from the Old Testament book of Daniel. ”There is wild music that calls people to worship the image of gold, terrifying music that accompanies the scene of the furnace, and ecstatic music of praise that ends the story,” writes the composer. Winner of the 2009 Chorus America/ASCAP Alice Parker Award. Duration: 35 minutes.

Children of God
Scored for children’s choir, piano quintet, and soprano and mezzo-soprano soloists. Based on passages from the Bible, as well as poetry written by Dr. Jill Pelaez Baumgartner, Dean of Humanities and Theological Studies at Wheaton College, with a focus on children in the Bible. Duration: 18 minutes

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