"Drinking Deer" mosaic (1958) by Hildreth Meiere (1892-1961) The Cathedral Basilica of St. Louis, Photograph by Hildreth Meiere Dunn ©2009  

The Soli Deo Gloria Psalms Project is a collection of 15 contemporary choral works by the world’s foremost composers, expressing the text of the Hebrew Psalter in the Western Art music tradition for a 21st-century audience.

Few bodies of literature can equal the 150 Psalms in their capacity to articulate the profundity of human spiritual experience. The poetry of the Psalms transcends the barriers of culture and geography, and each succeeding generation has found its concerns mirrored in and interpreted by these texts on a deep level. The Psalms Project has invited some of today’s leading composers to allow their imaginations to be fired by the Psalms’ symbolism and depth, to expand the musical reach of the Psalms as a source of inspiration and strength for our time.

The Psalms Project is made possible by a grant from Lilly Endowment Inc.

 

"As a deer pants for flowing streams, so pants my soul for you, O God." Psalm 41:1 (ESV)

 

PSALMS PROJECT COMMISSIONS

Bannister, Peter

Psalm 96

Beaser, Robert

Song of the Ascents

Bond, Victoria

How Lovely Is Your Dwelling Place
(Psalm 84)

Bryars, Gavin

Psalm 141

Dubugnon, Richard

Psalm 10

Ešenvalds, Ēriks

Psalm 67

Grigorjeva, Galina

Bless the Lord, o my soul
(Psalm 103)

Kellogg, Daniel

Preserve Me, O God
(Psalm 16)

 

Kernis, Aaron Jay

Glorious Majesty
(Psalm 104)

Lee III, James

Psalm 111

Metcalf, John

Laudate (Psalm 150)

Moravec, Paul

I Will Fear No Evil
(Psalm 23)

Panufnik, Roxanna

Love Endureth
(Psalm 136/135)

Sandstrom, Sven-David

God Be Merciful
(Psalm 67)

Wyner, Yehudi

The Lord is close to the heartbroken
(Psalms 34, 68)

"A TIMELESS SOURCE"

In their capacity to articulate the profundity of human spiritual experience, surely few bodies of texts in world literature can equal the Hebrew Psalter. Here we have a distillation of humanity’s dealings with the divine which has never ceased to inspire believers across the centuries. Indeed, it might be said that the Psalms constitute a Biblical template for sung and spoken prayer, both individual and communal, which has shaped the entire Judeo-Christian tradition and had an incalculable impact on Western culture and beyond.

The poetry of the Psalms clearly transcends barriers of time and space, inspiring the greatest variety of music from the visceral intensity of Jewish cantillation to the imposingly rugged metrical settings of 16th century Geneva, from Allegri to Bernstein, Gregorian chant to Steve Reich, Bach or Schubert to Stravinsky, Schnittke or Mahalia Jackson.

So, given the quantity and quality of this musical corpus of psalmody, why solicit a new collection of settings?

Perhaps the answer lies in the fact that each succeeding generation has found its own concerns mirrored in and interpreted by these texts on a deep level. If these pages contain treasured statements about the nature of God, they also display the full gamut of human feeling from the exultation of the ‘Old Hundredth’ to the penitent brokenness of the Miserere or the anguished cry of the De Profundis. No psychological state is too raw, no emotion too painful to be left untouched by the Psalms’ embrace; these are words with universal relevance that seem to evoke, even demand a creative artistic response that cannot avoid being made in the first person.

While it is undoubtedly true that the Psalms speak to all, irrespective of issues of taste or levels of musical education, it is surely also true that their inexhaustible richness deserves the engagement of the most talented contemporary musical creators. We are therefore challenging several of the leading composers of our time to allow their imaginations to be fired by the Psalms’ symbolic density and psychological depth. We do so in the hope that they will make their own unique personal contribution to a tradition which is both ancient and ever-new. It is our belief that in so doing they will enrich the lives not only of worshiping communities, performers and concert audiences, but also of all those, whatever their religious convictions, for whom the Psalter is a timeless source of inspiration and strength.

by Peter Bannister